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Digital
Camera Lens
18-250mm f/3.5-6.3 DC OS HSM
13.8x
high zoom ratio lens designed exclusively for digital SLR cameras and
incorporating Sigma’s original Optical Stabiliser function.
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This
high zoom ratio lens is designed exclusively for digital SLR cameras and
incorporates Sigma’s original OS (Optical Stabiliser) technology.
This system offers the use of shutter speeds approximately 4 stops slower.
Pentax and Sony mount lenses are also equipped with the OS function as
it is possible to use this with camera bodies which already incorporate
a built-in anti-shake system. Four SLD (Special Low Dispersion) glass
elements and three aspherical lenses provide excellent correction for
all types of aberrations. High image quality is assured throughout the
entire zoom range. The HSM (Hyper Sonic Motor) ensures fast and quiet
auto-focusing. This lens has a minimum focusing distance of 45cm (17.7in)
and a maximum magnification ratio of 1:3.4, making it convenient for close-up
photography.
Sigma’s
own unique OS technology
This lens is equipped with Sigma’s own unique OS technology. This
system offers the use of shutter speeds approximately 4 stops slower.
It also compensates for camera shake when shooting moving subjects such
as motor sports. For Sony and Pentax mount, the OS function can be used
even if the camera body is equipped with an anti-shake function. It is
possible select either the lens’ OS system or the camera’s
own anti-shake function.
Superior image
quality
Four SLD (Special Low Dispersion) glass elements and three aspherical
lenses provide excellent correction for all types of aberrations. High
image quality is assured throughout the entire zoom range.
Reduced Ghosting
and Flare
The super multi-layer coating reduces flare and ghosting and provides
high contrast images even when the subject is backlit.
Minimum focusing
distance of 45cm throughout the entire zoom range
A minimum focusing distance of 45cm (17.7”) throughout the entire
zoom range and a maximum magnification ratio of 1:3.4 makes this lens
ideal for close-up photography.
Quiet and
fast AF
An inner focusing system and the incorporation of HSM provide fast and
quiet auto-focusing.
*AF will not function if the Pentax camera bodies do not support HSM.
Petal-type
hood
This lens is supplied with a Petal-type hood to block out extraneous light
and reduce internal reflections.
Magnification
scale
A magnification scale is displayed on the lens barrel, ensuring ease of
use.
*Vignetting
will occur if the lens is used with digital cameras with image sensors
larger than APS-C size or 35mm SLR cameras.
Lens
Construction |
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18
Elements in 14 Groups |
Angle
of View (SD Format) |
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69.3
- 5.7 degrees |
Number
of Diaphragm Blades |
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7
Blades |
Minimum
Aperture |
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F22 |
Minimum
Focusing Distance |
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45cm |
Maximum
Magnification |
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1:3.4 |
Filter
Size |
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72mm |
| Dimensions |
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Diameter
79mm x Length 101mm |
Weight
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630g |
SRP |
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£549.99 |

| 18-250mm
f/3.5-6.3 DC OS HSM |
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SIGMA |
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CANON |
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NIKON (D) |
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PENTAX |
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SONY |
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F2
Freelance Photographer
'The Sigma is a surprise. First of all, it feels very good. Although
it is technically just a DC lens, it's built to EX standards. Secondly,
its HSM focusing is really fast and silent. The Sigma was also a
surprise optically. It is far better than my Sony 18-250mm, or the
Tamron 18-250mm which preceded that. Distortion is extremely low
for such a long range and, even at 250mm, full aperture sharpness
is retained well. Overall, it proved a better lens than any other
such design I've used. With or without OS, it would be a good buy.' |
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Master
Photo Digital
‘If you need a superzoom for your 50D, 500D, D300 or whatever,
I can not recommend any lens more highly than this. It’s a
completely different class of glass and Sigma has worked to create
strengths where weaknesses were common. The 18-250mm DC OS HSM has
a list price of £559.99, and while I might once have found
this excessive for a ‘walkaround’ lens, with this quality
on offer plus the OS and HSM refinements it’s a very fair
price indeed.’ |
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Photography
Monthly
‘Tamron’s record breaking 18-270mm will deliver a good
set of images… but I did find the focusing to be less assured,
the zoom mechanism to lack the solidality and smoothness of the
Sigma and crucially, the optical quality to be marginally less impressive
than the Sigma’s. The Sigma 18-250mm, then, is our Superzoom
winner. It’s nicely screwed together, offers assured focusing,
sound shake reduction and decent optical quality. Worth the extra
outlay and extra weight in my book.' |
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Photoworld
‘As for results, the Sigma 18-250mm rewrites the book. It
has hardly any distortion at 250mm, it’s critical sharp centrally
wide open at 250mm, with no hint of the slightly ‘dirty’
overlay of aberrations present in the Sony 18-250mm at the long
end. The close focus is superb, reaching 1:3.4 which is a significant
gain over the 1:4 of previous designs. It also has a very flat field
and once again an impossibly accurate drawing with no visible distortion.
It’s no exaggeration to say that this lens could be used to
copy postage stamps. Overall the Sigma 18-250mm f/3.5-6.3 DC OS
emerges as the most professionally usable of all such designs from
Canon and Nikon.' |
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PhotoPlus
'The Sigma also wins out in the handling stakes, as its zoom function
is wonderfully smooth throughout the range and, despite this, our
review sample exhibited no zoom creep – a difficult balance
to achieve in a superzoom lens. Shooting at maximum apertures throughout
the zoom range, the Sigma proved much sharper than either the of
the Canon lenses and gave punchier performance.' |
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Digital
Photo
'One superzoom did stand out from the pack, though, and that was
Sigma’s 18-250mm f/3.5-6.3 DC OS HSM. Offering a longer reach
than the Canon and Nikon alternatives, the build quality of this
lens is superb and cannot be faulted. Backed up with a speedy AF
performance, it comes with all the features you want in a superzoom.
With the camera up against the eye, the large zoom and focus rings
made operation very enjoyable and with an excellent image quality
performance to match, it’s a worthy winner of the Digital
Photo Gold Award.' |
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Digital
Camera
'For a superzoom lens with such a big range, the Sigma does an excellent
job of combining silky-smooth zoom ring operation with zero zoom
creep. Optically the Sigma 18-250mm proved very convincing in our
tests, with excellent sharpness, contrast and colour rendition.
Considering it’s much cheaper than the Canon or Nikon 18-200mm
lenses and £60 cheaper than the Tamron 18-270mm this really
is an excellent buy at the price. A cracking lens at the price with
excellent handling and reassuring build quality, along with a monster
zoom range.' |
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British
Journal Of Photography
'Its pro-friendly for the quality of images it produces, the larger
overall size enabling lower levels of distortion and vignetting
as well as unexpectedly fine resolution at the long end. Not only
was it optically superior, the option of using in-lens optical stabilisation
and turning off the in-camera sensor-based version improved the
leeway for hand-holding at the long end. The 18-250mm Sigma is a
great single lens for travel – fit it, forget it, and probably
forget the need to clean your sensor too.' |
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What
Digital Camera
'The lens has an especially broad zoom ring that moves smoothly
and with just the right amount of torque. Its direction of rotation
is such that an anti-clockwise movement extends the focal length;
many superzooms work the opposite way but Sigma’s system feels
more natural to me. Overall, it was the two optical stabilised lenses
that stood out as the best options and it was the Sigma’s
superior image sharpness that just pushed it into first place.' |
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Practical
Photography
'It condenses down to just 110mm in length and weighs in at 630g,
which makes it more than reasonable to keep in a compact bag and
easy to carry around. The quality of the performance and the compact
nature of the build make it worth the money. The maximum aperture
range from f/3.5-6.3 is a useful offering when the light is low,
and the lens has the HSM focusing motor that ensures crisp and efficient
focus. Picture quality across the range is very good, and the stabiliser
works incredibly well. All in all this is a very impressive lens.' |
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Amateur
Photographer
'The engineering is of very high quality. There is no wobble on
the extension at 250mm, a condition aided by its two-draw mechanism.
There is no greater destroyer of image quality than decentering,
which a wobbly lens section can cause. The Sigma gave good results
at full aperture, and at 18mm. This is a fine, modern ‘superzoom’
optic; it handles nicely and those whose work includes sport and
activity should generally find it a very useful tool.' |
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Digital
SLR User
'Images shot with the Sigma are generally sharper in the centre
of the frame than both the other test lenses. Also edge sharpness
shows excellent consistency regardless of aperture setting. In use,
the Sigma lens stood out as a well-made, refined lens with a superb
zoom range as well as a very useful close-up performance. On top
of that, the image quality was generally the best of the bunch.
Because of this the Sigma gets the winner’s medal from me
and has the bragging rights to be this month’s test winner.’ |
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