The only three lenses you'll ever need. That's how SIGMA describes their "Big Three" set F2.8 Pro lenses. So, when I was given the opportunity to put that claim to the test during a recent visit to America's Arizona desert, I gladly accepted the challenge.

Explorer, photographer, and free-runner HD.XR decides to take the largest of the SIGMA Art prime lenses for SE mount, the SIGMA 135mm F1.8 DG HSM | Art lens, out for urban exploration.

SIGMA UK camera ambassador Lea Tippett shares his insight on the use of the SIGMA f2.8 Pro Trio and how these three Sigma Global Vision lenses are firm favourites that always deliver stellar results.

Photographer Enrico Lorenzani planned a very intense journey to cover 2500km of the great west of the USA in only 7 days. He takes the SIGMA sd Quattro H with a SIGMA 12-24mm F4 DG HSM | Art & SIGMA 85mm F1.4 DG HSM | Art lens along with his lightweight SIGMA dp1 Quattro for the journey.

A single Sigma 50mm F1.4 DG HSM Art lens started an unplanned chain reaction that revolutionized David's photography and the style of his image forever.

Darryll Jones is a #SIGMAUK camera ambassador who prefers to use the SIGMA Quattro range of cameras for photographing his "Have you seen Eric" adventures. He also is an established food & drinks photographer and shares his experience with using the new SIGMA 70-200mm F2.8 DG OS HSM | Sports lens in the studio.

Professional sports photographer Curtis Harvey puts SIGMA’s new f2.8 trio through its paces and gives us an insight into what it takes to shoot the all-action competition cheerleading environment at Future Cheer UK.

Planning a landscape photography trip to Iceland meant carefully planning the gear I needed to take and while I usually shoot my landscapes with a wide or standard zoom lens, I wanted to have a greater focal range to capture more of this amazing place, so just a week before we left I decided to invest in the new SIGMA 70-200mm F2.8 DG OS HSM | Sports Lens.

Can the new ultra-telephoto zoom lens, the SIGMA 100-400mm F5-6.3 DG OS HSM | Contemporary, be an asset to photographers, to allow you to get up close and personal to create amazing landscape images? Photographer Andi Campbell-Jones decides to seek the answer.

David O'Dwyer from DOD Media Inc. helps to answer the question on how the SIGMA 56mm F1.4 DC DN | Contemporary lens performs as a portrait lens compared to a full frame set-up in his latest YouTube video release.

Landscape & travel photographers tend to carry zoom lenses to keep the kit bag to a minimum. Having a high-quality prime lens like the SIGMA 28mm F1.4 DG HSM | Art allows you to capture more intimate & close up images which tell a more compelling story of the trip.

Photographer Tom Adamson makes a return trip to Iceland and shares how the SIGMA Pro F2.8 Trio of lenses provided a versatile and adaptable set of lenses that would allow him to achieve his photographic goals of this road trip of a lifetime.

David O'Dwyer from DOD Media Inc. often gets asked whether the SIGMA F1.4 Pro Trio lenses designed for mirrorless cameras will work on a full frame camera. So he has produced this very informative YouTube video to help explain the Yes & No answer. 

Freelance videographer, vlogger Daniel Young, of Rivercove Films, explains how using the SIGMA F1.4 Trio for mirrorless cameras offers the variety of perspectives required for their clients' promotional videos.