Darryll Jones is a #SIGMAUK camera ambassador who prefers to use the SIGMA Quattro range of cameras for photographing his "Have you seen Eric" adventures. He also is an established food & drinks photographer and shares his experience with using the new SIGMA 70-200mm F2.8 DG OS HSM | Sports lens in the studio.

Professional sports photographer Curtis Harvey puts SIGMA’s new f2.8 trio through its paces and gives us an insight into what it takes to shoot the all-action competition cheerleading environment at Future Cheer UK.

Planning a landscape photography trip to Iceland meant carefully planning the gear I needed to take and while I usually shoot my landscapes with a wide or standard zoom lens, I wanted to have a greater focal range to capture more of this amazing place, so just a week before we left I decided to invest in the new SIGMA 70-200mm F2.8 DG OS HSM | Sports Lens.

Can the new ultra-telephoto zoom lens, the SIGMA 100-400mm F5-6.3 DG OS HSM | Contemporary, be an asset to photographers, to allow you to get up close and personal to create amazing landscape images? Photographer Andi Campbell-Jones decides to seek the answer.

David O'Dwyer from DOD Media Inc. helps to answer the question on how the SIGMA 56mm F1.4 DC DN | Contemporary lens performs as a portrait lens compared to a full frame set-up in his latest YouTube video release.

Landscape & travel photographers tend to carry zoom lenses to keep the kit bag to a minimum. Having a high-quality prime lens like the SIGMA 28mm F1.4 DG HSM | Art allows you to capture more intimate & close up images which tell a more compelling story of the trip.

Photographer Tom Adamson makes a return trip to Iceland and shares how the SIGMA Pro F2.8 Trio of lenses provided a versatile and adaptable set of lenses that would allow him to achieve his photographic goals of this road trip of a lifetime.

David O'Dwyer from DOD Media Inc. often gets asked whether the SIGMA F1.4 Pro Trio lenses designed for mirrorless cameras will work on a full frame camera. So he has produced this very informative YouTube video to help explain the Yes & No answer. 

Freelance videographer, vlogger Daniel Young, of Rivercove Films, explains how using the SIGMA F1.4 Trio for mirrorless cameras offers the variety of perspectives required for their clients' promotional videos.

Photographer Mark McNeill uses the SIGMA 150-600mm F5-6.3 DG OS HSM | Sports lens for the first time to capture the lunar eclipse and shares his experience of using this epic lens!

Ben Thomas is an aspiring young photographer who began shooting over three years ago. He shares his interest for “drift photography” using his favourites; SIGMA 105mm F2.8 Macro EX DG, SIGMA 150-600mm F5-6.3 DG OS HSM | C along with the SIGMA MC-11.

Explorer, photographer, and freerunner HD.XR takes the new native SE mount SIGMA 85mm F1.4 DG HSM | Art lens out for an urban exploration.

Photographer Henry Reichhold's new project involves the stitching together of images to create a panorama using the SIGMA 60-600mm F4.5-6.3 DG HSM | Sport lens combine with the SIGMA sd Quattro H.

Mark McNeill is a landscape and astro photographer from the North West of England who decides to go ultra-wide beneath the stars with the SIGMA 14mm F1.4 DG HSM | Art lens.

In the summer 2018 Ben Cherry had the opportunity to travel to one of the most remote islands to document one of the world’s rarest birds and explains which SIGMA lenses he chose to take with him for this special project.

James Medcraft, Director of Photography on ‘Black Cube’, explains why Sigma’s Cine Prime lenses are his number 1 choice for his cinematic work

SIGMA Foto Italia ambassador Marco Dadone lives in Northern Italy and has a deep love for moody landscapes. He shares with #SIGMAUK his review of the new SIGMA 40mm F1.4 DG HSM | Art lens paired with the SIGMA sd Quattro H.