Photographer Henry Reichhold's new project involves the stitching together of images to create a panorama using the SIGMA 60-600mm F4.5-6.3 DG HSM | Sport lens combine with the SIGMA sd Quattro H.

Mark McNeill is a landscape and astro photographer from the North West of England who decides to go ultra-wide beneath the stars with the SIGMA 14mm F1.4 DG HSM | Art lens.

In the summer 2018 Ben Cherry had the opportunity to travel to one of the most remote islands to document one of the world’s rarest birds and explains which SIGMA lenses he chose to take with him for this special project.

James Medcraft, Director of Photography on ‘Black Cube’, explains why Sigma’s Cine Prime lenses are his number 1 choice for his cinematic work

SIGMA Foto Italia ambassador Marco Dadone lives in Northern Italy and has a deep love for moody landscapes. He shares with #SIGMAUK his review of the new SIGMA 40mm F1.4 DG HSM | Art lens paired with the SIGMA sd Quattro H.

Taking just two lenses on a trip might sound like a risk but there are endless creative possibilities with the SIGMA 14-24mm F2.8 DG HSM | Art and the SIGMA 24-70mm F2.8 DG OS HSM | Art lenses packed as proven by photographer Tom Adamson.

David O'Dwyer is the founder of DOD Media Ltd., a production company located in Oxford with the goal to "Imagine, Create, Shape and Share". David is trialing the SIGMA Art primes lenses in SE mount and has produced several YouTube video reviews. This is David's first SIGMA Lounge article on his use of the SIGMA 14mm F1.8 DG HSM | Art lens on a trip to Iceland.

Ben Cherry is an environmental photojournalist and natural history cameraman, working with NGOs and production companies, having worked with the likes of the BBC, National Trust and The Wildfowl & Wetlands Trust.

Matthew Smith is a writer and photographer based in North London. He is the editor of the Wundor City Guides, a unique series of innovative city guides designed for adventurous visitors. He is producing is first photobook using a SIGMA DP2 camera is and explains why the unique system works perfectly for him.

The next travel adventure for London photographer Holly Marie Cato includes a trip to Asia visiting Seoul and Hong Kong. This time she is equipped with the new ultra-wide SIGMA 14mm F1.8 DG HSM | Art lens and she shares how this high-speed large diameter lens delivered amazing images in her second #SIGMAUK lounge article.

Tommy Reynolds has been a professional photographer but noticed he was starting to loose his creative inspirations therefore he decided to do one personal project per month and shoot something that was entirely for him! His ballet shoot was the first project he did to overcome his creative block and the lenses he choose to inspire him were the SIGMA 24mm, 35mm, 50mm and 85mm | F1.4 DG HSM | Art lenses.

Being self-employed, I need value for money but I also want the best equipment. I was first introduced to SIGMA in 2014 and was impressed with the professional specification of the lenses that they were going to launch which included an inclusive 3-year warranty program. I had become increasing frustrated with Canon in terms of spiraling costs, warranty and repair issues. Therefore I decided to trade in all my Canon lenses and replace it with SIGMA equivalents. A bold move some would think but I have not regretted it at all!

Barcelona native Kevin Hidalgo lives in London but is a frequent traveller capturing images everywhere he visits. He is a fan of SIGMA lenses and a frequent contributor to the #SIGMAUK Instagram account. He shares his latest adventures using the SIGMA 24mm F1.4 DG HSM | Art lens as both a native SE mount and with the SIGMA MOUNT CONVERTER MC-11 in his first Sigma lounge article.

Landscape and travel photographer Enrico Lorenzani shares his love for the SIGMA dp0 Quattro and SIGMA dp1 Quattro with an article about his recent trip to Fuerteventura and Lanzarote of the Canary Islands. The two cameras are his trusted companions and he explains how the SIGMA dp Quattro line up provides top quality results.

Being a Sony shooter, having both the a7R & a7RIII, I have happily been using SIGMA glass via the excellent MOUNT CONVERTER MC-11 adapter with wonderful results. However my interest was piqued when SIGMA announced that they were going to be releasing a native Sony E-mount on a selection of their lenses. Would I see any difference by going down this path?